The Recording example is designed for navigating to different tracks in Logic and quickly recording comps in a project. Our setup for the Guitar Wing Creates a single Zone for the Wing, with two modes: Recording and Effects Control. ~/Library/.csĪnd the backup is a zip version of the same file:.Logic's control surface settings are stored in This backs up your current control surface preferences and install ours. You can use the Logic Content installer that we provide for a complete, turn-key example MIDI map. You are now ready to use the script in Live, including the user mappable buttons.Enable MIDI Guitar wing MIDI ports for Remote and Track, input and output.Select GuitarWing as the input and output ports for the Control Surface.Select Livid_GuitarWing in the Control Surfaces Menu.Worth a look at from a few different angles. For instance for a live looping set up I could see the waveforms of the looper scrolling, along with record and undo buttons. You can also configure the performance screen to show only what you want to see. Then you can have multiple patches that you can recall throughout a track at patch level and have smart controls routed for each of these. For instance you can set up a smart control for the master volume in concert, a smart control for a plug in in the effects bus at set level. The whole thing is bit like a massively expanded Reason Combinator in that you hook up your hardware controls to the smart controls and then assign the smart controls to synth parameters from there.Īlso well though out with the concepts of Concert, set and patch level. It s well thought out for midi implementation too. Yes it has a fade out button too and you can specify the number of seconds that it fades out over. Probably set up 5 or 6 on the bus at set level and use a korg nanocontrol to control the record, undo and fade out button. Very well implemented and fairly intuitive live looper which i think i will use with my experiments in silence project to do live improvised soundscapes. I spent last night using the loopback plugin. Trent Raznor uses it live and changes his patches with a footpedal, though i m not quite sure how it deals with latency? Perhaps on the latest MBPro's the processing is fast enough to crank up the buffer? Don't know. You can also route guitars and vocals into there for processing. But if you're playing keyboards in a band it s perfect. But I can maybe imagine this becoming a feature at some point though (the ability to line up a midi file next to the audio player plugin). I like to send midi parts to different synths and tweak them and also have program chanegs for my synth happening at the correct part of the track. The only thing that stops me from using it live with spatialize is that you can t play midi files alongside the audio stems. If you do have logic and already know these instruments then you have the advantage that you already know the plug ins and can get cracking with it. If you don t have logic then this gives you access to all of Logic's instruments for £20! Sculpture, Alchemy etc :-O And I do believe you can rewire mainstage into another sequencer. ![]() If you like to do effects sends from a track separate from the main stem and play synths live, but don t need control over the structure of your track liek ableton, then this is a great option. It's more for a a keyboard player than for live remix sequencing (ala ableton) but it depends how you perform. You can play audio files in there, even stems and set up fx sends etc. ![]() I had heard about it but it s not included with Logic anymore (it used to be) and is a seperate purchase. It s like logic pro in a convenient performance ready package for only about £20.
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